{"id":1122,"date":"2016-02-18T11:41:24","date_gmt":"2016-02-18T10:41:24","guid":{"rendered":"https:\/\/www.iim.cz\/?p=1122"},"modified":"2016-02-18T11:54:16","modified_gmt":"2016-02-18T10:54:16","slug":"hudba-pro-linky","status":"publish","type":"post","link":"https:\/\/www.iim.cz\/en\/hudba-pro-linky\/","title":{"rendered":"Hudba pro Linky"},"content":{"rendered":"

LINKY se v r\u00e1mci slavnostn\u00edho rozsv\u00edcen\u00ed tak\u00e9 rozezn\u00ed hudbou Adama Sporky (DCGI FEL \u010cVUT), kter\u00fd se rozhodl pro kombinaci sou\u010dasn\u00e9ho stylu glitch trap a tradi\u010dn\u00edho stylu chiptune. Spojuje tak sou\u010dasn\u00fd zvuk elektronick\u00e9 hudby se stylem, kter\u00fd je asociov\u00e1n s klasick\u00fdmi osmibitov\u00fdmi po\u010d\u00edta\u010di, kter\u00e9 vymezily jeden ze z\u00e1klad\u016f sou\u010dasn\u00e9 po\u010d\u00edta\u010dov\u00e9 hudby.<\/strong><\/p>\n

Zde n\u011bco v\u00edce o autorech projektu:<\/p>\n

prof. Marian Karel<\/strong><\/p>\n

P\u0159edn\u00ed skl\u00e1\u0159sk\u00fd v\u00fdtvarn\u00edk, socha\u0159. \u010clen Um\u011bleck\u00e9 besedy. P\u016fsob\u00ed v Praze.<\/p>\n

Studoval na St\u0159edn\u00ed um\u011bleckopr\u016fmyslov\u00e9 \u0161kole v Jablonci nad Nisou (1959 -1963) a na Vysok\u00e9 \u0161kole um\u011bleckopr\u016fmyslov\u00e9 v Praze (1965 – 1972, prof. Stanislav Libensk\u00fd). Od r. 1992 vedouc\u00ed ateli\u00e9ru Sklo v architektu\u0159e na V\u0160UP Praha, 1995 jmenov\u00e1n profesorem. Dal\u0161\u00ed pedagogick\u00e9 p\u016fsoben\u00ed: 1983, 1989 Pilchuck Glass School, WA, USA; 1986 British Artists in Glass, Velk\u00e1 Brit\u00e1nie; 1987 GAS, Philadelphia and Kent State University, OH, USA; 1988 Miasa Glass Workshop, Japonsko; 1992 Niijima Glass Centre, Japonsko; 1998 Auckland Faculty, Nov\u00fd Z\u00e9land;1999 Toyama City Institut of Glass, Japonsko; Jacksonville University, USA; 2000 Hameenlinna, Finsko; 2002 Strasbourg, Francie; 2003 Watrford, Irsko).<\/p>\n

Je zastoupen v galeri\u00edch a muze\u00edch po cel\u00e9m sv\u011bt\u011b, dr\u017eitel ceny Grand Prix architekt\u016f za realizaci Br\u00e1ny \u010dasu v Chebu, pedagog FA \u010cVUT \/ Obor Design.<\/p>\n

Josef \u0160afa\u0159\u00edk<\/strong><\/p>\n

Absolvent doktorsk\u00e9ho studia na V\u0160UP v Praze, obory sklo v architektu\u0159e \/ aplikace nov\u00fdch technologi\u00ed ve v\u00fdtvarn\u00e9m um\u011bn\u00ed. V\u011bnuje se socha\u0159stv\u00ed, nov\u00fdm m\u00e9di\u00edm a medail\u00e9rstv\u00ed. M\u00e1 za sebou celou \u0159adu samostatn\u00fdch a hromadn\u00fdch v\u00fdstav, \u00fa\u010dastnil se n\u011bkolika socha\u0159sk\u00fdch sympozi\u00ed. Od roku 2009 p\u016fsob\u00ed jako odborn\u00fd asistent v ateli\u00e9ru Karel a V\u00fdtvarn\u00e1 tvorba \u00dastavu pr\u016fmyslov\u00e9ho designu na FA \u010cVUT u prof.ak.soch. Mariana Karla. U p\u0159\u00edle\u017eitosti slavnostn\u00edho otev\u0159en\u00ed budovy FA \u010cVUT v roce 2011 realizoval projekt Tetris a Laser CUBE.<\/p>\n

Jakub Hybler<\/strong><\/p>\n

Vystudoval syst\u00e9mov\u00e9 in\u017een\u00fdrstv\u00ed na provozn\u011b ekonomick\u00e9 fakult\u011b \u010cZU. Spoluzakladatel Institutu sv\u011bteln\u00e9ho designu (ISD).<\/p>\n

Nad\u0161en\u00fd v\u0161eum\u011bl, in\u017een\u00fdr a program\u00e1tor, pracuj\u00edc\u00ed pro \u0159adu divadeln\u00edch projekt\u016f v \u010cesk\u00e9 republice a v zahrani\u010d\u00ed. Sv\u00e9bytn\u00fd um\u011blec a vyn\u00e1lezce, schopn\u00fd sd\u00edlet znalosti a sv\u016fj talent s lidmi, prost\u0159ednictv\u00edm workshop\u016f v oblasti physical computingu a sv\u011bteln\u00e9ho designu.<\/p>\n

Je jedn\u00edm ze zakl\u00e1daj\u00edc\u00edch \u010dlen\u016f skupiny Handa Gote Research & Development.<\/p>\n

Jako syst\u00e9mov\u00fd design\u00e9r a v\u00fdvoj\u00e1\u0159 se pod\u00edl\u00ed na technick\u00fdch n\u00e1vrz\u00edch pro evropsk\u00e9 um\u011blce. Dohl\u00ed\u017e\u00ed na spln\u011bn\u00ed technick\u00fdch po\u017eadavk\u016f studentsk\u00fdch i hostuj\u00edc\u00edch akc\u00ed.<\/p>\n

Spolupracoval s r\u016fzn\u00fdmi firmami a um\u011blci, nap\u0159. Alfred ve dvo\u0159e, Divadlo Continuo, Krepsko, LightLab, MamaPapa, PQ. Pod\u00edlel se rovn\u011b\u017e na n\u011bkolika tane\u010dn\u00edch a choreografick\u00fdch projektech, kter\u00e9 vznikaly v IIM. Jakub vyu\u010duje na FEL \u010cVUT, kde p\u016fvodn\u011b studoval radiotechniku a v\u00fdpo\u010detn\u00ed techniku.<\/p>\n

Roman Berka<\/strong><\/p>\n

P\u016fsob\u00ed na \u010cVUT v Praze jako \u0159editel Institutu interm\u00e9di\u00ed a z\u00e1rove\u0148 jako pedagog na Kated\u0159e po\u010d\u00edta\u010dov\u00e9 grafiky a interakce. Institut interm\u00e9di\u00ed zalo\u017eil v roce 2007 spole\u010dn\u011b s architektem Pavlem Bedn\u00e1\u0159em (FA \u010cVUT) a Milo\u0161em Vojt\u011bchovsk\u00fdm (FAMU). Odborn\u011b se zam\u011b\u0159uje na po\u010d\u00edta\u010dovou animaci, virtu\u00e1ln\u00ed realitu a multim\u00e9dia a vede n\u011bkolik p\u0159edm\u011bt\u016f na FEL \u010cVUT. \u00a0Spolupracuje na projektech zam\u011b\u0159en\u00fdch na v\u00fdvoj interaktivn\u00edch technik v oblasti virtu\u00e1ln\u00ed reality a sn\u00edm\u00e1n\u00ed pohybu.<\/p>\n

Adam Sporka<\/strong><\/p>\n

Na FEL \u010cVUT se v\u011bnuje v\u00fdzkumu a technologi\u00edm interaktivn\u00edho audia v kontextech zvukov\u00e9ho designu po\u010d\u00edta\u010dov\u00fdch her a asistivn\u00edch techologi\u00ed. Pod\u00edl\u00ed se t\u00e9\u017e na v\u00fdvoji po\u010d\u00edta\u010dov\u00e9 hry Kingdom Come: Deliverance, coby spolutv\u016frce obsahu a program\u00e1tor adaptivn\u00ed hudby pro Warhorse Studios.<\/p>","protected":false},"excerpt":{"rendered":"

LINKY se v r\u00e1mci slavnostn\u00edho rozsv\u00edcen\u00ed tak\u00e9 rozezn\u00ed hudbou Adama Sporky (DCGI FEL \u010cVUT), kter\u00fd se rozhodl pro kombinaci sou\u010dasn\u00e9ho stylu glitch trap a tradi\u010dn\u00edho stylu chiptune. Spojuje tak sou\u010dasn\u00fd zvuk elektronick\u00e9 hudby se stylem, kter\u00fd je asociov\u00e1n s klasick\u00fdmi osmibitov\u00fdmi po\u010d\u00edta\u010di, kter\u00e9 vymezily jeden ze z\u00e1klad\u016f sou\u010dasn\u00e9 po\u010d\u00edta\u010dov\u00e9 hudby. Zde n\u011bco v\u00edce o autorech […]<\/p>\n","protected":false},"author":7,"featured_media":1123,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,11],"tags":[],"class_list":["post-1122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-projects"],"_links":{"self":[{"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/posts\/1122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/comments?post=1122"}],"version-history":[{"count":4,"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/posts\/1122\/revisions"}],"predecessor-version":[{"id":1127,"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/posts\/1122\/revisions\/1127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/media\/1123"}],"wp:attachment":[{"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/media?parent=1122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/categories?post=1122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iim.cz\/en\/wp-json\/wp\/v2\/tags?post=1122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}